My Favourite Films of ALL TIME! #20Terminator 2: Judgment Day [1991]
Starring: Arnold Schwarzenegger, Linda Hamilton, Edward Furlong
Directed by: James Cameron

James Cameron has a bit of a reputation of outdoing original films by giving them much stronger sequels. The first time he did this was with Aliens [sequel to Ridley Scott's Alien], which wasn't an easy thing to do since Ridley's first Alien was such a classic. James however managed to take the sequel to a new and much bigger place, and that's exactly what he did with T2 as well.

T2 picks up a few years after the original Terminator film left off, with Sarah Connor [survivor from film 1] being locked in a mental ward due to her crazy rants about being stalked by a cyborg from the future. Her teenage son, John Connor, is living with foster parents. Arnold reprises his classic role as The Terminator in T2, however this time, he isn't playing the bad guy, he's the good guy. He's been sent back again in time to protect John from a different Cyborg, who's job is to finish the job 'bad guy Terminator Arnie' failed to do in movie 1.
In film 1, Sarah Connor was the target because her future son was going to lead a resistance against the future Cyborgs who will declare war against mankind. Since she escaped first time around, she was then free to have her son, which now means John is the new target for assassination. Once all of this is revealed to John after he escapes near death at the hands of the new terminator [who's metallic form can melt into shape changing liquid metal], he sets out on a mission with the Arnie-bot to free his Mother from the mental institution she's being held captive in so they can fight against the newly upgraded assassin cyborg that is out to kill John.
To say T2 is an upgrade from the first film is putting it lightly, the scope is 10 times bigger, the story is more developed and the biggest change of all comes in the form of a newly buff and tough, Sarah Connor, who is transformed from a puffy haired screaming woman in the 80's to a muscle punching, shotgun shooting warrior of the 90's. The change Linda went through to become the new Sarah is incredible, and not only does she look the part, but her acting in the role is incredible. Many critics and movie fans over the years have labeled Linda's performance in T2 as one/if not the best female action role in movie history, only ever being close to Ripley in the Alien franchise. In fact, James knows how to create really powerful female leads in his stories [Aliens, Avatar].

At the time, T2 was also showcasing brand new special effects, mostly due to the liquid metal effects of the evil cyborg. They still hold up today, and there are some really iconic moments in T2 that showcase how far they pushed the visual effects back then.
With so much action and sparkling effects on show, James still manages to put together a very moving and powerful story. Whether it's Sarah Connor dealing with having to work alongside the cyborg who tried to kill her years earlier, or the Father-like relationship John Connor develops with the Arnie-bot, there are some great character moments within the story that are very moving.
The impending apocalypse within the story gives the movie a strong atmosphere as well, one scene in particular is quite eerie and used to really creep me out as a kid. It revolves around a dream Sarah Connor has, where she watches children play in an outdoor playground just as an atomic explosion hits the area and her silent muted screams of danger are met with a volcanic explosion of fire and destruction as the city is destroyed and Sarah's body is burnt away to the bone. It's a strong image, and you can't help but wonder "what if?" when thinking about this sort of thing happening in our world today.

Terminator 1 is a favourite of many, but to be honest, it's never been a film that has blown me away. For me, T2 is where the series really does something special. There's a great nostalgia attached to T2 because i've been watching it since i was a kid, i even remember being 7 years old and seeing it at the cinemas. It's one of my earliest memories of going to the movies for the first few times in my life. The classic film score is also one of my favourites.

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The Most Underrated Movies EVER!
These are my personal picks, i know there are a few you may think are underrated that i haven't included in the list, so let me know what they are in the comments section....


Freeway [1996]
Starring: Reese Witherspoon, Keither Sutherland
This had a very small cinema run [i think only in the U.S.] and was eventually released straight to video and has since become one of those random old movies that not many people i know have seen. I do stumble upon a few people every so often on the web who have seen it at some point though, and it did have a very small cult following which got it a direct to video sequel [without Reese].

Cube [1997]
Starring: A bunch of nobodies
More of a known treat for watchers of sci-fi, but generally a small indi forgotten gem that passed a lot of people by when it was released.

The Faculty [1998]
Starring: Josh Hartnett, Clea DuVall
The way this movie was marketed was wrong. Robert Rodriguez's tongue in cheek approach to the film trailer seemed to not sit well with people. It just sounded like a really stupid premise when watching the trailer. The film however was actually really great, and the old skool sci-fi throwback genre fit in perfectly with Robert's hip high school setting. Josh Hartnett and his badly cut hair can grate on the nerves a bit, but the rest of the cast put in some good performances. It's a fun movie, but one that seems to only live on through people my age who lived through it back in the late 90's.

The Hunchback of Notre Dame [1996]
Starring: Demi Moore, Jason Alexander
Disney was on a roll during the 90's with one massive release after another [The Lion King, Aladdin ect], and even though Hunchback did well on it's release, i've noticed it's really fallen to the bottom of the list amongst such massively popular films that came before and after it. It's in my top 3 favourite Disney flicks of all time, and features some of the most dynamic animation and music Disney has ever put out.

Scott Pilgrim vs. The World [2010]
Starring: Michael Cera, Anna Kendrick
Based on a popular cult comic series, this was set to bring the geeks flocking to cinemas to make it a box office hit, however, the movie severely underperformed at the box office and was a flop. It still found a certain audience though, and ironically like the comic book series, has become a bit more of a "cult" affair.

Kama Sutra: A Tale of Love [1996]
Starring: Naveen Andrews, Indira Varma
It's beautifully filmed and acted, but Kama Sutra seems to have disappeared into no mans land over the years. It's one of those movies i ask people about and they've never heard of it. Maybe it's low key cast and sexual subject matter made it zoom past peoples radars. It's one of my all time favourites.

Lost Highway [1997]
Starring: Patricia Arquette, Bill Pullman
Certainly known amongst David Lynch fans and people who watch a lot of art house cinema, but compared to Lynch's other more high profile films [Blue Velvet, Elephant Man, Mulholland Drive], this one always felt like it fell through the gaps of the public audience a little. Maybe it was too dark or too explicit, but it's never really mentioned by critics or regular cinema folk compared to his other films. Personally, this is my favourite Lynch film.

Pitch Black [2000]
Starring: Vin Diesel, Radha Mitchell
Not as low key as some of the other films on here, but it does seem like a bit of a forgotten gem, especially since Vin Diesel took the Riddick character from Pitch Black and gave him his own much more high profile adventure [The Chronicles of Riddick]. It's a low key film, shot in Australia, and features a fairly unknown cast [at the time Vin was making his debut in this]. I think it's one of the best sci-fi flicks to come out of the last decade, it doesn't get enough re-visits from a lot of casual movie goers in my opinion.

Legend [1985]
Starring: Tom Cruise, Tim Curry
There were so many sword and sorcery flicks in the 80's, this was the best one in my opinion. Beautifully directed by Ridley Scott, and perfectly scored by Jerry Goldsmith. The U.S. version came with a crappy score by Tangerine Dream, which sucked all the atmosphere and other worldly feel out of the the Jerry Goldsmith version. It's no surprise it flopped badly on initial release in America with how much of an edited mess it became, had they stuck to the original version which is a visual and audio masterpiece, maybe it would have received better reviews. The non-U.S version faired a bit better outside of America, and it was the version i grew up with.

The Prophecy [1996]
Starring: Christopher Walken
This actually was a popular straight to video film that spawned a few sequels, but i still find it's a film not a lot of people have stayed connected to over the years. I feel like i'm the only person on Earth who not only saw it, but owns it too.

Leon: The Professional [1994]
Starring: Jean Reno, Natalie Portman, Gary Oldman
This has certainly held a strong cult status over the years, and is also well known for it's controversial casting of a very young Natalie Portman playing a very Lolita-esque child assassin. Even though it has it's fans though, i've always felt more people should see it. I've introduced this to a good few people over the years and they've all loved it. It's a classic to me, and the director's cut adds so much more to the original film, if you ever get the opportunity to see it, make sure it's that version.

Go [1996]
Starring: Katie Holmes, Scott Wolf, Sarah Polley
Similar to The Faculty, this seems to be a film that has stayed with teens at the time it was released, but has since been forgotten by everyone else. Great film, critics called it Pulp Fiction for a younger audience.

The Doom Generation [1995]
Starring: Rose McGowan, James Duval
This is a Gregg Araki film, so you can't help but have this be a lot more low key than you're usual indi film. Still, it's a great mind fuck of a movie with an awesome soundtrack and a wacky over-sexed cast. Not for everyone, but still underrated.

True Blood
Season 4 Re-cap

As much as i love True Blood, i'm more than happy to be honest about the shows flaws, which it has a good few of. Over the last 3 seasons, True Blood has gone from a smooth paced supernatural drama to an over populated melodramatic fantasy series. I don't have a major issue with that, as over crowded as it's become, it's still as entertaining and well acted as it ever was. However, season 4 of True Blood has brought some much needed change to the series [spoilers ahead! you've been warned].

Marnie [who was played amazingly by Fiona Shaw] is the best thing to happen to this season since Russell in season 3. After the annoying Mary Anne from season 2, it's good to see a well written female villain in the series that didn't make you want to pull your hair out. Not only was Marnie powerful and dangerous, but you also felt sympathetic towards her, which isn't usually how many of the True Blood villains make you feel. They tend to be bad to the bone.

Sam had some welcome changes to his storyline. His irritating parents finally died, as did his brother Tommy. Tommy was like-able, but i found i started getting bored with his endless fuck ups and arguing, they took him as far as they could. Sam also found himself in a new relationship which i enjoyed watching.

Jason's boring "Panther people" storyline finally ended, even if we had to sit through a few episodes of it in season 4 which seemed to go nowhere. However, his blossoming romance with Jessica has been a surprise twist in the series that i liked. In fact, Hoyt and Jessica breaking up would have been the last thing i wanted to see a year ago, but i like the new confident person Jessica has become after their relationship fell apart, she's very sexy and more fun than she ever was.

Sookie didn't seem to have much to do outside of having sex this season. Not that it bothered me, after all, we finally saw her and Eric get together which was more than satisfying after 3 years of sexual tension. However, i prefer Eric as the cold killer he usually is, even if seeing him act like a pussy whipped infant in early season 4 episodes was kinda adorable. Drinking blood from a heart he ripped out of a witches chest like a milkshake was definitely a highlight.

Bill also seemed to have little to do this season other than look at Sookie all the time with regret and sadness. I did like his change of career though, it freshened up his story nicely.

Tara started off with a great new start this season, but she quickly fell into the very boring "scream and be angry" storyline she always seems to get given by the writers this season. I do still like her, but i can't say that seeing her die wasn't somewhat satisfying. She's probably better off dead, she's a mess. Not sure if having her whole head blown to bits was the most respectful way to get rid of her though? she can't even die in peace it seems. They really do need to find some positive direction for her, enough of the drama with Tara, it got old 2 seasons ago. Coming back as a ghost maybe????

Alcide had a low key, but entertaining enough storyline this season. I didn't like seeing his crazy ex-girlfriend back, but Alcide profusing his love to Sookie was a nice way to end his story this year. I also LOVE seeing Sookie put a bullet in his ex girlfriends head too, another tired character thankfully coming to an end.

Other than having a really bad haircut, Lafayette was given plenty to do this season with Jesus finally given into the dark magic his Uncle forced onto him his whole life. I loved the monster face that would appear every time Jesus did "his thing".

Arlene and Terry still seem to have no point whatsoever. Their "evil baby" storyline went absolutely nowhere, and was another indication that the series is bogged down with way too many needless side characters. They should just keep these two as background folk who don't get involved supernatural drama.

Pam had the best one liners this season, her hatred for Sookie was hilarious ["gash in a dress" anyone?], and her rotting face storyline gave this season some much needed comedy. I didn't like seeing her relationship with Eric fizzle out, but if it didn't, then we never would have seen her hilarious outburst over Sookie in her office at Fangtasia in the final episode [see above picture]. More Pam, please!.

Overall, season 4 smoothed out a few of the bumps that the excellent, but cluttered season 3 had last year. Characters have been cut out and some new and interesting story lines have started up ready for season 5. The witches were a nice change of pace this season, and i hope to see more of them down the line.
The writers of the show have hinted at what we may see in season 5 with characters and story lines being taken from book 5, 6 and 7. That could be anything from zombies [yay!] to the introduction of Were-tiger, Quinn, who plays a big part in Sookie's story and is a fan favourite of the people who read the books.

Until next year!

DEV
The Night The Sun Came Up [2011]
3.5/5

I haven't been the worlds biggest Dev fan over the last year. Her collaboration with Fast East Movement on "Like A G6" was beyond annoying, and her stand alone singles 'Booty Bounce' and 'Bass Down Low' seemed to show that she was a one trick pony who sang to the same beat over and over. The only time she did anything that caught my interest was when she released 'Fireball' earlier this year, it was a great track which sadly didn't make the final cut for her album.

After hearing 'The Night The Sun Came Up', i was surprised at how much more varied her production choices were throughout the album. There's a trademark vibe to a lot of the songs which have become very particular to her music thanks to production from frequent collaborators, 'The Cataracts'. Songs like 'In My Trunk', and early single 'Bass Down Low' carry Dev's signature dirty electro beats which long time fans will no doubt love. Other songs like 'Breathe' and 'In The Dark' go down a more Euro-house route, which mixes up her dance tracks nicely.

The opening track, 'Getaway' is proof that Dev should go deeper into more trip hop type of music with the song starting as a piano ballad and then quickly changing into a slow pumping rap tune. Production wise, it's one of the most interesting tracks on the album, and works perfectly as the first song on the record because it shows the listener you'll be in for a few surprises.
'Take Her From You' uses a more rockier sound, complete with whistle hook, 'Lightspeed' is another euro dance heavy track that changes direction ever minute, keeping things fresh throughout the song, and 'Kiss My Lips' could have been handed to anyone from Rihanna or Britney and gone straight to #1 as the next big pop hit if it had a more high profile performer selling it.

Where the album starts to fall apart is with the ballads. None of them are particularly strong, but a couple of them are enjoyable enough. 'Me' is a charming little track and 'Perfect Match' has some nice production sprinkled through it. 'Dancing Shoes' was awful on first listen, it has grown on me more on repeat listens and i can play it, but i find it a bit too sickly sweet, especially for an album that can be very bass heavy at times. It should have been given to Taylor Swift. Another ballad that falls flat is the last track on the album, 'Shadows', it's not awful, but it doesn't really go anywhere and it's a bit dull.

As a debut album, there's enough to enjoy on 'Night'. I can appreciate that Dev has tried to actually offer an album full of different sounds rather than just singing 'G6' 12 times. She has an interesting sense of direction with some of her tracks and it shows she has real potential to take things further on future records. Outside of a couple tracks, there isn't anything overly amazing about the album, but it's a good introduction to Dev as an artist, it's an easy listen.

Kelly Rowland
Here I Am: Deluxe Edition [2011]
3.5/5

After years of one off singles, Kelly has finally taken the time to put together another solo album. Kelly found a lot of success outside of America when she jumped from r&b to dance music after being featured on songs with David Guetta and The Freemasons, but Kelly's newest album takes a surprising leap backwards to her old skool r&b days.
I've enjoyed a few of Kelly's dance songs over the last few years, but i'm glad 'Here I Am' is an r&b record. As much as i like the current sweep of dance music all over the world, it's refreshing to hear a straight up urban album that doesn't sound like everything else that's on radio atm. Not that the album offers any sort of grand production that we haven't heard before, it's all very generic, but as an r&b music fan, it's nice to hear this early 2000 sound back on the radio.

The album isn't completely dance free, it does feature the Guetta produced single , 'Commander' and another euro track, 'Down For Whatever'. The rest of the album is pretty much straight up r&b though. The best songs on the album are the faster ones. 'I'm Dat Chick' is an amazing way to open the record, and other tracks like 'Work It Man' and 'Turn It Up' are fun club bangers.
The album is also fantastically over-sexed, which may be eye rolling for some as being a cheap way to sell the record, but i always enjoy that sort of stuff, so it doesn't bother me.

Where the albums suffers a little is with the ballads. They aren't terrible, but most of them are boring and a bit too generic. The only two that stand out for me are, 'Feeling Me Right Now' and of course the sexy, 'Motivation', which reminds me a lot of an old skool 90's slow jam.

Another issue with the standard edition of the album is how short it is. After so many years since her last album, and after releasing so many one off singles, you'd think they'd have enough material to bulk up the record with more than just 10 songs??? The last 2 tracks on the record do stick out like a sore thumb since they aren't r&b, why not just add 2 or 4 more dance tracks to give the ending of the record a bigger euro dance finish?
The deluxe comes with a few decent bonus tracks that help fatten up the track listing, 'Each Other' is a hot mid-tempo club track, and the urban mix of 'Commander' is a nice bonus, however, with so many singles out there with her name attached to them, they could have easily given us a bit of what has been on offer from her over the years. She has a new single called, 'What A Feeling', which isn't on the record, even though it's all over radio outside of the U.S. It's a bit odd how all over the place she is atm with her music.

Minor gripes aside though, 'Here I Am' is a decent enough effort from Kelly, and certainly a big step up from her last record, 'Ms. Kelly' which was a really uninteresting and boring album. 'Here I Am' may not get any points for being unique, but it at least does generic well, and Kelly has a great voice.
Play Beyonce's '4' for some good slow r&b this year, play Kelly's new one for some good r&b club tracks.

Harry Potter & the Deathly Hallows: Part 2 [2011]
Starring: Daniel Radcliffe, Ralph Fiennes, Emma Watson
Directed by: David Yates
4/5

Harry, Ron and Hermione continue their search to find and destroy the remaining Horcruxes that will once and for all put an end to the Dark Lord and his quest for immortality.

Finally, the Harry Potter series comes to an end. Last years 'Hallows, Part 1' was a slow burner. Some people thought it was a bit too heavy on the drama and not heavy enough on the action, i disagreed. Characters needed to be established before the big finale, and the struggle of trying to survive the Dark Lord's obsession with Harry's death was a burden that needed to be explored properly. Part 1 may have been lacking in the action department, but they well and truly made up for it with 'Hallows, Part 2'.

Essentially, 'Hallows 2' isn't really a part 2, it's more of a 1.5. The story set up was pretty much completed in part 1, and the bulk of part 2 is the final battle at Hogwart's where Harry finally has his big showdown with Voldemort. Event though there are a couple of big secrets revealed within the story in part 2, most of what we see on screen is wizard fighting and Harry rushing around to find and destroy the final Horcruxes.
The movie runs at a very fast pace. That's both good and bad. After the slow burning Part 1, the lighting speed of Part 2 was needed. Part 2 is the "pay off" movie that Part 1 teased at. At the same time though, i did feel that certain sections of the film were rushed through a little too quickly. The battles could have lasted a bit longer, and a key scene involving Snape's big reveal should have been fleshed out more. The running time for the film isn't as long as the HP films usually are either, so i'm not sure why an extra 10 minutes of story development wasn't added to the film to bulk it up a bit. This isn't a major issue though, and other aspects of the film make up for any short comings.

Where Part 2 succeeds is both in scale and emotion. The movie certainly feels epic, the danger of the battle is felt very strongly as the teachers of Hogwart's set up their protection barriers for the dark wizards oncoming assault. You really feel like Harry and the gang are desperately trying to remove Voldemort's immortality so they can have a chance at killing him. The urgency is tense.
Emotionally, it has the same strengths as the final book did. Harry's struggle feels like a burden as you watch him frantically crawl and run for dear life, and when he is faced with possible death, you can't help but get teary. The meeting between Harry and his dead loved ones was a beautiful way to lead into the start of his confrontation with Voldemort, i thought it was very moving.
Snape's final moments were perfectly done as well, his last breath as he looks into Harry's eyes was heartbreaking. Th following scene about Snape's true intentions makes it that much more depressing.

Even though there are strong parts of 'Hallows 2', it still didn't give me the PERFECT shot of brilliance i wanted from a closing film. It should have been longer, it should have tired me out, it felt like they could have pushed it a tiny bit further. Maybe it will feel more complete watching it as one big movie right after part 1?

Overall, they did a good enough job at finishing up the saga in a big way. It served up enough magic and drama to satisfy any Potter fan i'm sure. The series has been a lot of fun, and the last few films have really been what's kept me on board all these years waiting for the end. I can't wait to own all of the movies in one big mouth watering blu-ray box set!.

Beyonce
4 [Deluxe Edition]
3.5/5

Beyonce has always seemed like a bit of a dark horse to me when it came to being a serious contender in the pop music scene. A lot of her music is generic r&b/pop [i mean that in a nice way], but there's also been a slow growing need to go against the grain a little throughout her career.
On her first album, 'Dangerously In Love', it was a fairly standard affair as far as music production goes. R&b ballads and urban dance floor fillers were pretty much what the album was full of. Her second album, 'B'Day', showed a bit more musical experimentation, with a more old skool urban influence on the record, and a more organic use of instrumentation on the production of the music. Her 3rd album, 'I Am...Sasha Fierce', was an even bigger leap forward as far as bringing in different musical styles was concerned. Between more electronic urban beats and more simple guitar driven ballads, it was obvious Beyonce's palette of influences were broader than we were led to believe based on her earlier work.

Her 4th album, '4', is certainly her most interesting album to date. Not so much because i think it's her best, it's not [i give that title to her last album, 'Sasha']. But '4' marks an important time in her career, and that is reflected in the music on the album. This is the first record Beyonce has done without the guidance of her father, who has been her manager since her Destiny's Child days. With Beyonce asserting herself in her own career, comes a new found confidence and freedom to branch herself out even further as an artist.
After the huge success of 'Sasha', you'd think '4' would have been an obvious attempt to cash in on the success of that album and offer more of them same. To my surprise however, Beyonce has chosen to put together a much more sombre body of work this time around. Instead of jumping on the dance bandwagon that's filling mainstream radio right now, Beyonce has decided to go completely in the opposite direction and has created more of an old skool 90's r&b record with very little club bangers to go nuts over. In many ways it pays off, and in other ways it kinda fails.

The majority of the album is well produced. The ballads are nicely done for the most part. 'I Miss You' sounds like something Phil Collins could have sung back in the day, '1+1' takes obvious notes from Prince and features a gorgeous electric guitar solo and 'Dance For You' could easily fit on any sexy early 90's r&b slow jams album.
The more dance heavy tracks offer some nice moments too. 'End of Time' uses infectious drum beats, 'Countdown' has a catchy big band sound, and my favourite off the album, 'Run The World', features a hot tribal beat and aggressive vocals. I know a lot of people dislike that song, but i think it's fantastic, i love the 'Diplo' inspired production on the track. If 'M.I.A' did more commercial music, it would sound something like that.

Credit has to be given to Beyonce for not churning out an album that fits into the mold of what is popular right now. Don't get me wrong, most of the songs on '4' don't necessarily tread new ground. We've heard Beyonce do r&b music before, this isn't surprising to anyone. However, it's not a genre that's really selling right now though, especially with an album like '4' which consists of mostly slower tracks.
As a lead single, 'Run The World', wasn't an ideal choice either. The genre it borrows from is way too particular, and not something mainstream listeners are into. As much as i love it, i can see why so many people hated it.
Beyonce has my respect for doing an album she truly wanted to make, regardless of how unexpected it may be. She seems to be more focused on growing as an artist, rather than JUST selling records. It's refreshing to see after her last massive album.

Technically, there isn't anything really wrong with '4', however, it does have a few bumps along the way.
As nice as most of the songs are, the album can feel a bit dull as an overall listen. A couple more upbeat or heavier tracks wouldn't have hurt, especially ones along the lines of 'Run The World'. There's a bit of "meat" missing from the album. It all plods along a bit TOO comfortably at times, and i find that i really need to be in the right mood to listen to the album in full.
Also, the track listing order is a fucking mess. '1+1' is an awful way to start the record, it's just way too slow and feels more like a closing track than an opening one. Following that sort of slow opener with another 2 ballads really doesn't set up the album well. It's just too "sleepy". I shuffled around my track listing on my iTunes and found the album flows a lot better with the mid-tempo tracks and ballads mixed around more. The official track listing feels like i've started the album half way through the play list when i play track 1. It's just odd and it really kills the flow.

'4' is a decent album. It has a couple strong moments, and even though the rest of the album is nice enough, i don't feel like it reaches any truly great heights for me. There could have been a bit more of an energy in the music to liven it up a more, and some of the songs are a bit bland production wise. If i'm not in the mood for the album, it can be boring. I find that it works more when i listen to tracks individually than as a complete record. There's SOMETHING missing, it feels like it needs a bit of a "fun" injection. As a ballad heavy record though, it's enjoyable enough if you like that sort of thing.

Bridesmaids

Starring: Kristen Wiig, Maya Rudolph, Rose Byrne

Directed by: Paul Feig

4.5/5

Picked as her best friend's maid of honor, Annie looks to bluff her way through the expensive and bizarre rituals with an oddball group of bridesmaids.

I'll be honest, the first time i saw the trailer to this movie, i wasn't impressed, in fact, i thought it looked pretty awful and unfunny. Once the film got released though, in came the endless critical praise, and audience rave reviews. In fact, pretty much everyone i have bumped into since the films release has urged me to go see this movie. I was surprised by the reaction to the film, and decided to give it a chance.

I'm glad i did, because Bridemaids has become one of the most funniest movies i have ever seen. I was laughing non stop throughout the whole thing, that hasn't happened in a long time with a comedy, not to that extent.

What's great about Bridesmaids, is that it's written as an every day comedy. The characters are real and relatable, the situations could actually happen, and the general story actually has some genuine heart behind it.

The lead actress, Kristen Wiig, carries the movie perfectly. Not only is she hilarious with the comedy [her penis impersonation, lol!], but her character is layered and not 2 dimensional. At times you want to slap her, at other times you feel really bad for her, she puts in a fantastic performance. The other stand out in the cast is Rose Byrne. I'm used to seeing her do more serious roles, so it was a nice change to see her play something like this. The hateful chemistry relationship between Wiig and Byrne's characters is hilarious. The ''toast off''' they compete in at the brides engagement party is genius writing.

Thinking back on the film, i've lost count of how many great moments the movie had. From the pilled up plane sequence to the giant cookie attack, the funny moments were endless.

Another great thing about Bridesmaids, is that even the none comedic parts of the story are written well. Wiig's character finding new love is charming, and the crumbling of her sanity while at work or dealing with a bastard ex is depressing and realistic. The film has a lot more going for it under the surface than a lot of other "chic flicks", and for that, the movie opens itself up to a broader audience. This isn't a cliched movie just for women, it's not 'Bride Wars', it's much smarter than that and would appeal to pretty much everyone.

Forget any other comedies this year, the tired 'Hangover 2', the hit and miss 'Bad Teacher', they don't hold up well against something as fantastic as 'Bridesmaids'. It's become one of my favourite films ever, i can't wait to see it again.

X-Men: First Class
Starring: Michael Fassbender, James McAvoy, Rose Byrne
Directed by: Mathew Vaughn
4.5/5

In 1962, Charles Xavier starts up a school and later a team, for humans with super human abilities. Among them is Erik Lensher, his best friend.....and future archenemy.

There's a lot of story to get through in First Class, and although some people have said it felt a little rushed in parts, i personally thought it all flowed nicely and the pacing was surprisingly more fast paced than i expected.
The great thing about First Class is that as an origins film, it establishes the characters and relationships perfectly. There's a lot of links between all of the X movies that join it together to create a cohesive universe, and with so many characters involved in the X films, it could have been a messy delivery, but it all works well in First Class.
Director Mathew Vaughn has separated the more meaningful relationships away from the smaller ones to reconnect the dots to the previous films. The main storyline in FC is centred around Magneto and his revenge story on the man who killed his Mother during World War 2. That then opens up the doorway for the second storyline which serves more of a purpose to the previous X films, the relationship between Magneto and Xavier and how they helped each other to create the first class of X-Men mutants. There's also a smaller, yet still important 3rd storyline which revolves around the early friendship between Mystique and Xavier, and how Magneto later became her mentor and drew her away from Xavier's plans for the future. Although i would have liked to see more scenes establishing Xavier and Magneto's friendship further, there's still enough emotional pull within the story to make up for any minor short comings.

Casting wise, everyone delivered their roles on point. Jennifer Lawrence was great as a young Mystique, not only re-capturing Rebecca Romijn's natural sex appeal from the previous films, but also giving Mystique a layered story arc. Next to Magneto, she pushed the emotional aspect of the story the strongest. Her search for inner acceptance between Xavier, Beast and Magneto felt very genuine. For me, she's the most interesting character from the X films.
Nicholas Holt as Beast also did well with his role, especially with his mutation struggle being mirrored with Mystique's and January Jones was believably dangerous as Emma Frost.
Acting wise however, the film belonged to Michael Fassbender as Magneto. Not only was he threatening and powerful, but the amount of emotion he brought to the character opened up his performance 10 fold. It's not easy to make audiences feel a connection with a villain, but Michael's portrayal of struggle was one you couldn't help but stand by. He completely carried the film.

There's a return to quality with First Class that reminded me a lot of what made the first 2 X-Men films so fantastic. I personally still enjoyed X-Men 3, but it did have it's flaws and Bryan Singers absence as the director was felt. First Class brought back a bit more elegance to the franchise. The story was rich, the characters were well developed and you really connect with the universe on screen. There were also a few cameos in the film featuring actors from the previous movies that were really fun to see unexpectedly pop up during the movie, loved those.

Lady Gaga

Born This Way [2011]

4.5/5

Born This Way was always going to be a big transition album for Gaga. We already had 2 albums worth of the types of songs that have made her famous over the last 3 years, and as entertaining as those albums were, she needed to showcase herself more as an artist than a pop star with her latest record. Luckily, she seems to have fully understood this, and has pushed herself as hard as she could on her new album. There are only tiny glimmers of old skool Gaga on BTW, mostly on the tracks, 'Judas', and on the ballad, 'You and I'.
New genres are explored, new ways of using the full ability of her voice are showcased, and more depth has been added to her writing. It doesn't come off as trying too hard or contrived either, she really pulls off every new direction or idea on the album perfectly. She's obviously been waiting to spread her wings for a while.

1 // Marry The Night 4/5

Big and bold, the perfect way to open the album. The song opens as a piano ballad, but quickly turns into a heavy disco track. It sounds a lot like old skool Whitney Huston.

2 // Born This Way 3.5/5

I've learned to enjoy this over time, and even though it's one of the weaker songs on the album, i still think it made sense as the first single and it works within the context of the whole album. It's catchy.

3 // Government Hooker 5/5

The amount of time Gaga has been spending in Eastern Europe is very obvious on this track. It sounds like something out of grimy Euro sex club. Production wise, it's the coolest song on the album. If Marilyn Manson was doing pop music, it might sound a lot like this.

4 // Judas 3.5/5

It took me a while, but i've finally warmed to it. It's rating would be much higher had the melody and structure of the song not sounded like Bad Romance part 2, for that, it loses a bit of wow factor due to RedOne's lazy production. I do love the heavy tribal beat though, and since the album offers so much stronger material, i don't mind this as a filler track. I still think it shouldn't have been a single though.

5 // Americano 4/5

The most oddball moment on the album. It sounds like a pop song written for a Broadway production. It's very boisterous and silly, but also very catchy. I would have really fallen in love with it if the mariachi aspect of the music was even stronger.

6 // Hair 4/5

I need to be in the mood for it, but when i am, i think it's a lot of fun and the message behind it is sweet. The carefree vibe of the music reminds me of Cyndi Lauper.

7 // Scheisse 4/5

I don't seem to be as amazed by it as most other fans of the album are, but i still think it's a cool song. I love the faux German, i wish we heard more of it in the lyrics.

8 // Bloody Mary 5/5

I can't get enough of this song, i love the sweeping melody of the chorus and the creepy music during the verses. I'm not sure why, but it reminds me of ABBA.

9 // Black Jesus + Amen Fashion 5/5

The early 90's production on this track is perfect. It sounds like something that would be played all over runway shows in New York. It reminds me a lot of something Madonna would have done on her Erotica album.

10 // Bad Kids 4/5

I've noticed people tend to get turned off by the overly upbeat vibe of the chorus after they hear the much more aggressive verses. I think it works though, and the song has really grown on me over time. I kinda love it.

11 // Fashion For His Love 3/5

Cute song, but obvious filler. Another Whitney Huston 80's inspired track. I like it, it has a great upbeat vibe, but it's also forgettable.

12 // Highway Unicorn [Road To Love] 5/5

I can see why a lot of people don't like it, i admit, first time i heard it, i thought it was really messy, but i've grown to adore it and it's now one of my favourites on the album. It sounds exactly like the type of song you'd listen to driving on a highway, the beats have such a great thumping rock momentum to them, and the chorus is big and loud. Production wise, it's the most experimental track on the album. There's all sorts of crazy shit going on in this.

13 // Heavy Metal Lover 5/5
It's one of those songs you hear that you know everyone will love. The beat is dark and sexy, and i love the Daft Punk inspired bridge with the distorted vocals. Hot song.


14 // Electric Chapel 5/5

The 80's metal guitar intro to this is bad ass. If Alice Cooper did dance music, it would sound something like this. Can't wait to see this live.

15 // The Queen 2/5

I struggle with this song. The first half is a bit too cheesy sounding for my taste, like something Avril Lavigne rejected from her first album. The music transition halfway through however is really great. I love the slowed down tempo, and when the guitar comes strumming it, it sounds beautiful. I only wish the whole first half sounded like the second half.

16 // You and I 3.5/5

This reminds me a lot of a Motley Crue rock ballad meets Elton John. It's a great song, but one that is mostly enjoyed when i'm in the right mood for it.

17 // The Edge of Glory 5/5

It's so uplifting and beautifully produced. The chorus is massive and Gaga's vocals soar of the music so perfectly, it almost gives me goosebumps. There's such strong emotion behind the track, it's euphoric. One of the best songs she's ever done, and an amazing way to end the album.

There's some really great production scattered throughout BTW. The fusion of rock and dance music is mixed perfectly into some of the songs on the record. Gaga said the album was created around the idea of the album working in a live setting, and that's exactly what the album sounds like, a body of work waiting to explode properly on stage. That's probably why the production works so well, Gaga's strong side has always been her ability to take her music from album to stage and improve on it because of her ability as a live musician and performer. The stage gives her an opportunity to interpret her work in different ways.

With a "live setting" frame of mind being used to create the music, it's allowed the songs to have a much bigger sound, as well as letting her voice truly shine on many of the tracks.

With so much image marketing behind Gaga's product, it's easy to forget that she is first and foremost a singer and songwriter. Vocally her voice is fantastic on BTW, and writing wise, she has expanded the types of issues she covers in her songs when compared to her more superficial first 2 albums.

The albums themes aren't only heavily related to Gaga's personal life [Marry The Night, Edge of Glory], but they also address many world issues as well, ranging from the political [Government Hooker] to the social [Born This Way, Americano]. She doesn't do it in a boring preachy way either, even though the topics themselves are serious, they're all presented to us a with a trademark Gaga wink. Gaga wants us to have fun, not feel depressed.

The album isn't perfect, there are a few bumpy turns along the road. RedOne continues to showcase how tired his sound is becoming, especially on 'Judas', which is a decent enough song, but a step back as far as doing something new is concerned. He does much better on 'Hair', but still seems unable to let go of that stupid trademark sound effect he always has appearing in all his work. He only appears on the album a tiny bit though, so it's not a major issue.

A couple of the bonus tracks on the special edition also add little to the overall experience of the standard album. I do love one of them in particular [Black Jesus], but they aren't essential when it comes to looking at the album as a whole product. Aside from that though, there really isn't much else to fault on BTW.

Gaga hailed her new album as "the best album of the next decade", a ridiculous and over the top statement for sure, but after hearing the album countless times, there's no doubt BTW is a very strong record. A decade from now, who knows where the album will stand, but as of RIGHT now, Gaga is hitting pretty much every right note she can with the release of this record. By the time the BTW era is at an end, she will have no doubt proved she's here to stay for the long haul.

Insidious 2/5

Starring: Rose Byrne, Patrick Wilson

Directed by: James Wan

A family looks to prevent evil spirits from trapping their son in a supernatural realm called The Further.

I held off torrenting this because it recieved a decent reception from critics. It's hard to come by horror movies that actually do well on a wider scale like that, so i thought it'd be worth my while to check this out on the big screen. Plus, the trailer was impressive. I wish it could have lived up to my expectations though based on the reviews i had read, sadly, it didn't.

Insidious stars off really well. Right from the opening credits, you feel like you're in for something creepy and interesting. The entire first half of the film is executed perfectly, with some nice slow pacing and a few genuinely creepy scares. I did jump a couple times, and i was loving the sense of dread growing throughout the story. Once the film starts heading into the second half of the story however, we lose all sense of tension and scares, and start watching a completely different movie all together.
The movie takes a dramatic turn, and goes from being a slow burning haunted house thriller, to an over the top demon fantasy adventure. At first i was surprised by the sudden switch in tone, but thought maybe the film would take more of a horror fantasy route, similar to Poltergeist [which is a great movie]. I certainly loved the introduction of the demon character, and seeing it appear behind people and in dreams was rather startling.
Sadly, an hints at Insidious being Poltergesit 2.0 were quickly washed away once we enter the realm of 'The Further'.

At that point in the movie, everything was an over the top mess. The story change wasn't the problem, i accepted the fact that we were heading in more of a fantasy direction, but the director seemed to lose any sense of what he was actually trying to do at this point and it all started feeling disjointed and uneven.
A whole group of new and unintentionally hilarious spirits were introduced into the story, and rather than being exciting or creepy, it was all just silly and almost like a horror parody. The spirits looked like extras from Michael Jackson's "Thriller" music video, it was hard to take any of it seriously. The demon they perfectly presented as a ghastly figure in the first half of the film, all of a sudden became some sort of ridiculous cheesy movie monster, at one point it even sat at a sewing machine making clothes for string puppets [don't ask]. It was all over the place.

It was frusturating watching Insidious because it showed a lot of potential. There are some great things in the movie, but it all gets so muddled by the end, that i was laughing rather than feeling scared at anything i was seeing. The casting is good, and some of the creature design was nicely done, especially with the demon. Some of the creature design howeverwas just way too cheesy, and the movie didn't know what the hell it wanted to be. At one point we are even introduced to 2 ghost hunters, who for whatever reason were meant to provide some un-needed comic relief, it just didn't fit the tone of the movie at all.

If you want an entertaining horror fantasy that knows how to mix atmosphere with over the top visuals, watch Poltergeist. Insidious however is a wasted opportunity filled with great ideas that sadly don't know what direction to go in.

Thor [2011]

Starring: Chris Hemsworth, Anthony Hopkins, Natalie Portman

Directed by: Kenneth Branagh

3.5/5

The powerful but arrogant warrior Thor is cast out of the fantastic ream of Asgard and sent to live amongst humans on Earth, where he soon becomes one of their finest defenders.

I knew very little about Thor going into this. I was aware of the character of course [being a comic reader myself], but i've never read anything from the Thor comic series. Similar to Hulk and Iron Man, Thor has never been something that looked all that interesting to me.

After seeing the movie though, i'm surprised to say that the origins of the character are actually very original and creative. Thor could have turned out to be a huge fucking mess if it wasn't done right. While watching it, i couldn't help but be reminded by bad 80's "fantasy/real world" cross over movies like He-Man and Beastmaster. Mixing such vastly different styles of worlds without being hokey or cheesy is a tricky thing, but they really pulled it off in this.

The world Thor comes from, Asgard, is beautifully created on screen. The mix of magic and technology that is littered throughout the architecture in Asgard would have been a designers wet dream. It can be a bit jarring when you first visit Asgard, simply because it's such an odd mixture of styles and colours, but overtime, you get used to it much more. There are other realms to be explored in their Universe [9 to be exact], but the only other none Earth one we see in this movie is an icy barren planet [can't remember the name], inhabited by giant blue skinned and red eyed creatures, that are the villains of the story. Their world was even more exciting to see, with it's eerie deserted, crumbling mountains and massive rampaging monsters. The villains in the story were very cool.

Casting wise, everyone did a great job. Chris Hemsworth completely embodied Thor, not only physically [drools], but he was also very charismatic and like able when he spoke, especially in the later parts of the film where his character loses the arrogance and becomes a true hero. Natalie Portman [who i love] looked like she may have ended up with a really boring part in this, but her character was surprisingly like able, funny, and complimented Thor nicely once the romance aspect of the story kicked in. She looked beautiful too.

Thor's brother, Loki, was played well by Tom Hiddleston. Even though he ends up being one of the "bad guys" of the story, there was till a sympathetic side to him that made his plight somewhat understandable, even if what he was doing was wrong. Anthony Hopkins was, well......Anthony Hopkins, strong presence, elegant, and believably loving between both of his sons.

The movie does feel like it could have been a little meatier. By that i mean, i wanted to see more of the worlds that we saw in the story. It all felt a bit too short [even though it wasn't running time wise]. I wanted more backstory about Asgard, about the icy race of giants that they waged war with, more of Thor and Jane's romance, ect. I just feel like it could have pushed itself a tiny bit further to be even more larger scale than it already was, more fleshed out. Mexico was the perfect setting for Earth once Thor arrives on our planet, but it was also the most boring of the 3 realms we see. More of the unique and interesting locations they visit would have made my personal experience with the movie a little more fun.

There was also an unanswered question about Loki which i would have liked to see explained. I can't get into that without spoiling a big secret though.

Overall, Thor was an entertaining origins story that feels like it needs to open up even more with a few more sequels. There was a lot of light humor in the script which worked really well against the more dramatic parts of the story, and the entire cast bounced off each other nicely.

It's certainly one of the more interesting super hero movies to be coming out this year, i look forward to seeing more of it down the line.

Scream 4 [2011]

Starring Neve Campbell, Courtney Cox, David Arquette

Directed by: Wes Craven

3.5/5

Sidney Prescott, now the author of a self help book, returns home to Woodsboro on the last stop of her book tour. Unfortunately, her home town appearance brings about the return of Ghostface, which puts her and the entire town in danger.

A Scream movie in 2011 has a lot working against it. The last time this franchise wrapped up, we were left with a slightly underwhelming finale, Scream 3. It wasn't a bad film, and it certainly tied up the series into a comfortable trilogy, but compared to the first 2 Scream films, it all felt a bit tired and messy. A new Scream also has a whole new generation of young horror fans to adapt to. The writers won't be able to play on the films of the 80's and 90's anymore because horror has changed a lot over the last decade, so adapting to a new audience while still remaining true to the old fans is important.

Luckily, Wes Craven and Kevin Williamson managed to pull their ideas together well enough to make a decent 4th entry in the series.

Imagine Scream 3 with all it's problems ironed out. That's exactly what Scream 4 is. Firstly, Scream 4 takes viewers BACK to Woodsboro, where the original murders took place. Scream 3 always felt a bit disconnected to me because it didn't take place around the same locations the first 2 films were set in. It was set in Hollywood, and although the setting made sense within the context of the story, it still felt a bit too far from where i liked seeing my characters. I appreciated the creators trying to keep it fresh by giving us something new, but Scream 4 really needed to bring things back to the beginning, and thankfully it does. Middle class suburbia is where things fit best for this series, and seeing Woodsboro again gave me happy fan butterflies in my stomach.

Character development was also a must in Scream 4. In Scream 3, Sidney was written well, but the rest of the cast had little else to do, and most of the side characters that were killed off were very boring. In Scream 4, i wasn't exactly jumping for joy with the new teenage cast, but i didn't enjoy seeing the characters i liked die either. Plus, bringing back the old cast was always going to win me over even if the newer characters failed. Luckily though, all the characters were well placed within the story.

It's always heartwarming seeing Sidney again. A lot of us grew up with her story, so seeing her all these years later much older [she has wrinkles!], was fun to watch. I also liked how much stronger she has developed as a person since Scream 3. She finally seems at ease with her life at the beginning of 4, which makes the return of Ghostface that much more uncomfortable to watch. She seems forever unable to escape her past, and at one point in the film, i thought maybe she should just finally die to bring peace to her and everyone else around her. Sidney doesn't represent death though, she represents survival, as fucked up as her life has been, she's managed to fight her way through it all and still remain standing. After all these years, even if you know her death would mean the end of all the bloodshed, you still hope she will come out alive.

Another great thing about Sidney in 4 is that she's developed a similar relationship with Ghostface that Jamie Lee Curtis's character developed with Michael Myers in Halloween. We've watched Sidney and Ghostface fight against each other for so long, that there's an odd familiarity in Sidney's eye when she faces against him now. She runs for her life, but she also seems almost comfortable with having him around. It's almost like she isn't exactly running for her life anymore, but running because she knows what to do next.

Gale Weathers had the second most interesting storyline in the movie. Washed up and bored with her life, it was hilarious seeing her try and find something to do when the murders start happening. I only wish she was around more in the second half of the film.

The rest of the cast did well, Emma Roberts and Hayden Panettiere were good, even though Hayden had really ugly and distracting hair. Anna Paquin and Kristen Bell also have a great cameo in the beginning of the film. David Arquette was typical Dewey, though i'd say this was Dewey at his most boring, and Adam Brody seemed completely pointless. Maybe he took the role because he was a fan and was desperate for a cameo? who knows, but it was useless.

The kills this time around have also been improved on. Deaths seem to have lost their more old skool drawn out style, and things happen a lot quicker, with focus on tension rather than cheap jump scares. Everything also seems at it's most bloodiest, there was a decent amount of gore [guts on the bed!].

Screams opening death scenes have become a trademark for the series, and although the opening does put a clever spin on things in the way that it's presented to the audience, the actual scene death scene itself is fairly standard.

Cultural references in Scream 4 are thrown in by the bucket load, with swipes at horror remakes and new survival rules being used all the time. The younger characters in this story are even more self aware than the teens from the last series were. The killer reveal at the end of the movie also gets a chance to make a nice social commentary on today's media obsessed youth culture and how fucked up we all are. Like the old films though, it never feels forced, in fact all of it rings very true and is relevant to the times.

Is Scream 4 as good as part 1 and 2???..........no, it's not, but it IS a worthy inclusion in the franchise, and a MAJOR step up from Scream 3. You need to look at 4 from a certain perspective, this is the 4th film in a slasher franchise, the fact that it turned out as good as it did, is in itself a major achievement. They clearly tried to create something decent with Scream 4, and even though it's not as fresh or brilliant as it was back in the day, it does resurrect an old story successfully while trying to put an entertaining spin on what is common in horror movies today.

I see little room for growth from this point forward though. I really cant see how much further they could take some of these characters in a 5th chapter. I did have my doubts about 4 turning out as good as it did though, so maybe Wes and Kevin will surprise me again and pull off another trilogy over the next decade. I guess time will tell. Until then though, this was a lot of fun.

Britney Spears
Femme Fatale: Deluxe Edition [2011]
4/5

I'll admit, this is the first Britney album i've heard that has taken me a good while to absorb. Her work is usually a lot more instant for me, and even though a lot of the album was great on first play, there was a good portion of it that i had to take my time with. Of course there's nothing wrong with that, getting to know a record over a period of time and slowly having songs unravel is a great way to discover an album, it was just an odd change of pace for me as a Britney fan.

1 > Till The World Ends 5/5

This is the best opener she's ever had. The song builds and builds into a beautifully vast dance song with a blistering euphoric chorus that blasts it's way right into your ear drums. I only wish it was longer, the chorus is so big, it should have been repeated at the end.

2 > Hold It Against Me 4/5
This took a while to really grow on me, and even though it feels slightly less than what it could have been for a lead single to a new album, i've come to really enjoy it.

3 > Inside Out 5/5
It's been years since Brit has released a slow track as a single, this song is the perfect opportunity to do so. This track isn't only the best song on the album, but one of the best songs of her entire career. The slow pumping bass line is really sexy, and the lyrics are cleverly written, they reference a couple lines from her old songs.

4 > I Wanna Go 4/5
I really liked the build up of bass line from the first chorus to the second chorus. I can't say it's one of my favourites, but it's nicely produced and i can see why people really love it.

5 > How I Roll 3/5
I really hated this when i first heard it, i was shocked that Bloodshy would produce such a tuneless mess. Over time it has grown on me though. When in the right mood, i can live with hearing it, but i do think it's the weakest song on the album. Don't take my word for it though, everyone seems to adore it.

6 > [Drop Dead] Beautiful 3.5/5
Britney's vocals on this sound great, i love the conviction behind her voice. An unknown rapper named, Sabi is featured on this, no idea why, her 20 second rap is pointless. Great outro though.

7 > Seal It With A Kiss 3.5/5
This could have easily come off Kylie's 'Aphrodite' album. It's a cute upbeat track with a hot dubstep dance break during the middle 8. Filler, but decent filler.

8 > Big Fat Bass 5/5
Will.i.Am's involvement in this seems to have really turned some people off this song. I can understand why, he has produced some awful dance music over the last couple years, but to his credit, he has given us a few decent ones as well. Personally, i think this is one of the strongest songs on the album. I love the mix of the piano melody with the dance beat.

9 > Trouble For Me 4.5/5
Best pre-chorus on the album? i think so!. The beat in this is amazing.

10 > Trip To Your Heart 5/5
It's like Heaven On Earth 2.0, except about 1o times better. The dreamy Ibiza production on the song is gorgeous, and the repetitive beat is really catchy. The way the beat stops and then kicks in again during the middle 8 is perfection, that's the best part of the entire album.

11 > Gasoline 4/5
It took a while to grow on me, but i really enjoy it now. It's got a hot beat and i love the music breakdown during the bridge.

12 > Criminal 4/5
One of the most unique tracks she's sung. The guitar with Britney's melodic vocals sounds great, her voice also seems a bit less processed on this song. It's nice to hear her actually sing.

13 > Up 'n' Down' 3.5/5
Another Kylie-esque dance track, the chorus can be a little annoying, but it's nicely produced overall.

14 > He About To Lose Me 4/5
Criminal is certainly the best choice as the main albums mid tempo ballad, but this track is just as good quality wise. Great mellow summer beach song.

15 > Selfish 5/5

One of the best bonus tracks she's ever had, and my second favourite song from the album. The hook in this is insanely catchy and the beat is really sexy. It should have been on the album.

16 > Don't Keep Me Wating 3/5

As a stand alone song, i like it. As a song on this album though, it doesn't make any sense. The entire album is electronic/dance, and then this track randomly pops up as a pop rock Kelly Clarkson reject. Surely she could have added something that suited the rest of the tracklisting a little better?. Oh well, i guess i can't deny she's pretty versatile genre wise.

How does Femme Fatale fair against her other albums? well essentially Femme Fatale is Circus 2.0, except a lot more slicker and less dated sounding. There have been some reviewers comparing Femme to Blackout, but i really don't understand why. They aren't similar at all in style or tone outside of some very minor similarities. Fatale shares more of the bubblier pop qualities of Circus than it does with the much darker and sexier Blackout.
I think Fatale completes Britney's essential album trilogy along with Blackout and In The Zone. Which one comes in at #1 changes depending on my mood, so for now i'll just say they're all her best albums for different reasons, with Femme Fatale having the slightly more appealing complete package between the 3 of them.

Fatale is great because it mixes Britney's usual sound with some really fresh production. Every song [even the weaker ones] all focus in on strong hooks and a familiar vibe that binds the tracklisting together making it her most cohesive album since Blackout. Every song makes sense, and it's less muddled with too many styles [like Circus]. It doesn't feel like a compilation, but a proper body of work with a beginning and an end.

Jessie J

Who You Are [2011]

3.5/5

Jessie has been building her profile for a good year now with YouTube videos and writing credits [she wrote Party In The U.S.A for Miley]. It was a smart move because she got to really showcase her vocal ability and create a good reputation for herself before launching herself into the music scene. Her debut album offers a mixed bag, some of it great, some of it not so great, but there's a lot of potential and versatility that shows she can pull out something incredible if she does it right.

The main problem with Who We Are is that it suffers from way too much dull filler. There's no denying that the vocal ability from Jessie is impressive, in fact, she's got the best voice i've heard in years, but it can get lost in hook-less ballad production. There are a couple of nice slower tracks on the album, like Big White Room, which may be a little over long, but it's got a nice quiet flow to it, and the addition of the live audience give it a bit of extra life. The albums only true high point when it comes to ballads however is the title track. It's a gorgeous song that builds and builds into a beautiful melody and really showcases Jessie's vocals. These are the only two ballads that do anything for me, the rest just aren't catchy enough, and are bogged down with messages about being yourself and staying strong [Stand Up] , which is great and all, but it only adds more to the already pedestrian production. There's no LIFE in them.

When the album does get good though, it gets VERY good. Her debut single 'Do It Like A Dude' is the best track on the album, Jessie can bring a lot of attitude to her music and it fits in perfectly with this song. Her second single, 'Price Tag', is a lot more upbeat, but has a great hook and is a nice intro to the rest of the album. 'Nobody's Perfect' reminds me a lot of American r&b, something that Mary J. Blige or Keiysha Cole would sing. So do other upbeat tracks like, 'Rainbow', 'Who's Laughing Now' and 'Abracadabra'. Those are the types of songs she shines the most on.

She even goes a little old skool Motown on 'Momma Knows Best', which has a very similar vibe to her track that was featured on the Easy A soundtrack, 'Sexy Silk'. A bit more of this sort of type of style would have elevated the album a lot more in my opinion.

As a debut effort, there's a lot to like on Who We Are. There are some boring ballads, a bit of outdated production and a lack of attitude that brings it down a few points, but the good out weights the bad, and there's more than enough on the album to enjoy. I don't think it's a blistering debut, but it's a nice introduction.